Pärast kollektsiooni esitlust suundusime kõik pubisse tõstma klaasi meie kõigi auks ning siis edasi Pizza East'i shoreditchis, et süüa, naerda ja nutta. Roksanda ja Zoe pidasid südantliigutava kõne, paljud meist nutsid ja pärast juba naersid. Enamus, kes me töötasime tiimis kõik koos jätkavad teekonda koolis ning seetõttu peame kasvõi natukeseks ajaks hüvasti jätma. Mina ning paljud teised lubasime täna, et oleme tagasi jõuludel, easteril ja järgmiste showde ajal.
aga teeme nii, et ma seletan ja ajan natukene tähtsat ja vähem tähtsamat juttu piltide ümber.
alguses pildid kollektsioonist, mis jõudnud levida netis ja siis vogue.co.uk review ja siis minu instagramindused studio aegadest ja tänasest? kuidas kõlab kullad?
"Sporty couture is shaping up to be a big trend for Spring, but it's something Roksanda Ilincic began injecting into her cocktail-y fare last season. The way Ilincic does it, however, the reference isn't as literal as we've seen in the past couple weeks. Her main concern, she said backstage, is how to make the old-school craftsmanship and silhouettes that she reveres relevant to a modern woman.
Perhaps a more apt term would be sportswear couture. That means casual chic, exquisitely considered. That high-low merger isn't a new concept, but when done right, it can be the ultimate in luxury. Take a boxy T-shirt cut in peony pink silk gazar tucked into a beautifully gathered paper-bag skirt, all pulled together with a bright rope belt and a groovy beanie knitted from silk faille ribbons.
The sophisticated slouch—emphasis on sophisticated—had newness to it. The designer experimented with fabrics, too. A boyish little suit was cut from navy and white raffia. The nubbly textured fabric pieced with silk on tees and drop-shouldered coats looked like bouclé but turned out to be terry. A navy crinkle cotton isn't something you expect here, either, but looked pretty fab in a knotted-waist dress and sweatpants.
Ilincic's method of reinvigorating her lantern-sleeved and pannier-ruffled dresses with not-quite-neon color was less than inventive. Still, her color sense is sharp, so within the context of the collection, it formed a cohesive whole.
So, too, did the woman and her work. Backstage, Ilincic wore a spongy soft heather gray Whistles T-shirt tucked into a floor-sweeping silk skirt from her own collection. She's a designer who lives the dream, and more importantly, the reality."
Aga, oh-kui-palju neid pilte tuli! Niiet ma ei koorma üle seda ühte postitust- there will be a next instagram one with backstage stuff + studio! luw
Silk chiffon dresses of pale blue and cream were softly draped to leave a diamond of bare back, while tailored crepe ones had cuffs that burst out beneath the elbow. They were best in bright emerald green that had been dipped in more magenta from mid-thigh to ankle - as arresting as the heels that went with them carrying the same surprising colour combinations.
Daywear comprised the most glamorous incarnation of elastic-waisted trousers ever, high-waisted wiggle-inducing pencil skirts of finely woven raffia, and a bold navy and white check that gave the Roksanda woman something new to think about - she's so often associated with strictly high fashion pursuits, this collection still let that life lead, but there was a subtle touch of reality mixed in too that did her good.